Sunday, June 9, 2013

𐌼𐌹𐌳𐌾𐌰𐍂𐌳

somossopa: Andrés Segovia -Isaac Albéniz's Sevilla 



somossopa:

Andrés Segovia -Isaac Albéniz's Sevilla 

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Photo



Ellery's Ultimatum to Jarlaxle (in a nutshell)

Ellery: We're going to fight. If you win, we have sex. Jarlaxle: What if you win? Ellery: Then we...

"We do not write in order to be understood; we write in order to understand."

"We do not write in order to be understood; we write in order to understand." - Cecil...

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"All the dancer's gestures are signs of things, and the dance called rational, because it aptly..."

""All the dancer's gestures are signs of things, and the dance called rational, because it...

normaltd: i12bent: Isaac Albéniz : Asturias - from Suite...



normaltd:

i12bent:

Isaac Albéniz : Asturias - from Suite Española (op. 47)

Andrés Segovia - guitar

(via marcoromano)

 ─═ڿڰۣڿ☻ڿڰۣڿ═─

meta-shawol: Danse Hongroise No. 1 (Allegro molto) de Johannes...



meta-shawol:

Danse Hongroise No. 1 (Allegro molto) de Johannes Brahms, interprétée par le Wiener Philharmoniker sous la direction de Claudio Abbado.

oranc: Brahms: Violin Sonata No.2 op.100 - II. Andante...



oranc:

Brahms: Violin Sonata No.2 op.100 - II. Andante tranquillo - Vivace - Andante - Vivace di piu - Andante - Vivace (05:56)

hadrian6: Detail : Black. Yuqi Wang. Chinese American....



hadrian6:

Detail : Black. Yuqi Wang. Chinese American. 1958 -    . oil on canvas

http;//hadrian6.tumblr.com

thenewenlightenmentage: How a Hubble Image Goes from Photons to...



thenewenlightenmentage:

How a Hubble Image Goes from Photons to Finished Beauty

How does raw data from the Hubble Space Telescope end up to become a finished gorgeous color image, like the one of Arp 274, above? It's an interesting process, because the cameras on Hubble do not take color pictures.

Continue Reading

vurtual: Silence, Japan (by 8og)



vurtual:

Silence, Japan (by 8og)

fuckyeahvikingsandcelts: tylergnosis: Scotland. My calling....





















fuckyeahvikingsandcelts:

tylergnosis:

Scotland. My calling. Who's coming with?

SCOTLAND!

ginevramanekineko: Ginevra the cat (2013) -Parmigianino...





ginevramanekineko:

Ginevra the cat (2013) -Parmigianino (1524)

Speaking of Parmigianino (whew, quite the effort to spell that one correctly), here is something by him that is easy to love, especially if you can't get on board with his other works (though I just say give it time, it all just might grow on you). This is his self-portrait in a convex mirror. It's a painting that captures the young artist right as he's coming into his own career-wise, as well as in regards to his artistic style.

The year 1524 marks his move to Rome, where the exposure to different artists both young (Giulio Romano! Rosso Fiorentino!) and old/dead (Michelangelo and Raphael) end up shaping his interpretation of the Mannerist style.  Stokstad  describes this style as being "calm but strangely unsettling," which is something that I can definitely agree with.

Regardless, here we see a young man on the cusp of the beginning of all things. He is staring us down, looking directly at us as a challenge… it's almost as if he's daring us to notice him and take note of his talent. Which, after seeing his paintings—and even more so, his drawings— is pretty hard not to do.

Francesco Mazzola, called Parmigianino, Self-Portrait in a Convex Mirror, 1523-4. Diameter: 24.4 cm. Kunsthistorisches Museum, Vienna.

atama-itai: Three Foolish Virgins Flanked by Adam and...



atama-itai:

Three Foolish Virgins Flanked by Adam and Eve
Parmigianino

classicaldrawing: Jacopo Pontormo (Italian Mannerist) Study of...



classicaldrawing:

Jacopo Pontormo (Italian Mannerist)

Study of Angel for the Annunciation (Capponi Chapel)

c. 1527-1528

Black chalk and yellowish brown ink wash over traces of red chalk, heightened with traces of white, on paper.

15 3/8 x 8 1/2 in.

Uffizi, Florence, Italy.

 

c0ssette: Bronzino, detail, Portrait of a Young Man (1530s)



c0ssette:

Bronzino, detail, Portrait of a Young Man (1530s)

Penn Art History 102: Close Look: Agnolo Bronzino, "Portrait of Cosimo I de'Medici as Orpheus" (1537-1539)

Penn Art History 102: Close Look: Agnolo Bronzino, "Portrait of Cosimo I de'Medici as Orpheus"...

medieval: Jousting: the knights wear crests on their helms...



medieval:

Jousting: the knights wear crests on their helms (swan and dragon).

15th C. MS. Ashmole 764 (via)

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